
Joseph Smit (1836-1929), 1. Archoeopteryx (Above) and 2. Compsognathus (Below)
Joseph Smit (1836-1929)
1. Archoeopteryx (Above) and 2. Compsognathus (Below)
Original Illustration in pen, ink and grey wash, heightened in white
c. 1905-1912
10 3/4 x 7 1/2 in. sheet
Original artwork for Henry R. Knipe’s Nebula to Man. Illustrated on page 76: “Archaeopteryx (the earliest known fossil bird); and / Compsofnathus, a small Dinosaur”.
1. Archaeopteryx (“old wing”), sometimes referred to by its German name, Urvogel (“original bird” or “first bird”), is a genus of bird-like dinosaurs. The name derives from the ancient Greek (archaīos), meaning “ancient”, and (ptéryx), meaning “feather” or “wing”. Between the late 19th century and the early 21st century, Archaeopteryx was generally accepted by palaeontologists and popular reference books as the oldest known bird (member of the group Avialae). Older potential avialans have since been identified, including Anchiornis, Xiaotingia, and Aurornis.
Archaeopteryx lived in the Late Jurassic around 150 million years ago, in what is now southern Germany, and also Portugal, during a time when Europe was an archipelago of islands in a shallow warm tropical sea, much closer to the equator than it is now. Similar in size to a Eurasian magpie, with the largest individuals possibly attaining the size of a raven, the largest species of Archaeopteryx could grow to about 0.5 m (1 ft 8 in) in length. Despite their small size, broad wings, and inferred ability to fly or glide, Archaeopteryx had more in common with other small Mesozoic dinosaurs than with modern birds. In particular, they shared the following features with the dromaeosaurids and troodontids: jaws with sharp teeth, three fingers with claws, a long bony tail, hyperextensible second toes (“killing claw”), feathers (which also suggest warm-bloodedness), and various features of the skeleton.
These features make Archaeopteryx a clear candidate for a transitional fossil between non-avian dinosaurs and birds. Thus, Archaeopteryx plays an important role, not only in the study of the origin of birds, but in the study of dinosaurs. It was named from a single feather in 1861,[9] the identity of which has been controversial. That same year, the first complete specimen of Archaeopteryx was announced. Over the years, ten more fossils of Archaeopteryx have surfaced. Despite variation among these fossils, most experts regard all the remains that have been discovered as belonging to a single species, although this is still debated.
Archaeopteryx was long considered to be the beginning of the evolutionary tree of birds. It has qualities that helped define what it is like to be a bird, such as its long, powerful front limbs. However, in recent years, the discovery of several small, feathered dinosaurs has created a mystery for paleontologists, raising questions about which animals are the ancestors of modern birds and which are their relatives.
Most of these eleven fossils include impressions of feathers. Because these feathers are of an advanced form (flight feathers), these fossils are evidence that the evolution of feathers began before the Late Jurassic. The type specimen of Archaeopteryx was discovered just two years after Charles Darwin published On the Origin of Species. Archaeopteryx seemed to confirm Darwin’s theories and has since become a key piece of evidence for the origin of birds, the transitional fossils debate, and confirmation of evolution.
2. Compsognathus (Greek kompsos “elegant”, “refined” or “dainty”, and gnathos; “jaw”) is a genus of small, bipedal, carnivorous theropod dinosaur. Members of its single species Compsognathus longipes could grow to around the size of a turkey. They lived about 150 million years ago, during the Tithonian age of the late Jurassic period, in what is now Europe. Paleontologists have found two well-preserved fossils, one in Germany in the 1850s and the second in France more than a century later. Today, C. longipes is the only recognized species, although the larger specimen discovered in France in the 1970s was once thought to belong to a separate species and named C. corallestris.
Many presentations still describe Compsognathus as “chicken-sized” dinosaurs because of the size of the German specimen, which is now believed to be a juvenile. Compsognathus longipes is one of the few dinosaur species whose diet is known with certainty: the remains of small, agile lizards are preserved in the bellies of both specimens. Teeth discovered in Portugal may be further fossil remains of the genus.
Although not recognized as such at the time of its discovery, Compsognathus is the first theropod dinosaur known from a reasonably complete fossil skeleton. Until the 1990s, it was the smallest-known non-avialan dinosaur, with the preceding centuries incorrectly labelling them as the closest relative of Archaeopteryx.
Compsognathus is one of the more popular dinosaurs. For a long time it was considered unique in its small size, which is commonly compared to that of a chicken. These animals have appeared in the movies The Lost World: Jurassic Park, Jurassic Park III and Jurassic World: Fallen Kingdom. In The Lost World: Jurassic Park, one of the characters incorrectly identifies the species as “Compsognathus triassicus”, combining the genus name of Compsognathus longipes with the specific name of Procompsognathus triassicus, a distantly related small carnivore featured in the Jurassic Park novels.
JOSEPH SMIT (1836-1929)
Josef Smit’s dinosaur drawings are a high point in his fine draughtsmanship and unique in his vision to construct an image based on a written description rather than a physical specimen. Knipe’s preface indicates that Smit also learned much from Charles Knight’s drawings at the Museum of Natural History, New York.
Josef Smit was born and raised in Lisse, in southern Holland. Later, in Leiden, his scientific fidelity came to the Natural History Museum of Leiden director Hermann Schlegel’s attention. He presented the artist with his first commission to paint a series of birds from the Dutch East Indies. Smit’s work for Schlegel earned him a significant commission to prepare hundreds of plates for Philip Sclater’s Exotic Ornithology. Once in London, the artist met other like-minded artist-naturalists and developed a reputation for preparing very realistic drawings. Because of his ability to delineate every detail of a specific bird, he was employed by several scientists to illustrate their reports and publications. His work stood apart from his contemporaries in his addition of thorough backgrounds of leaves, vines, and tree branches. Smit eventually became a key contributor to some of the most important natural history publications of the 19th and early-20th centuries. His work graced the tomes by John Gould, Edward Lear, Archibald Thorburn, Henry Constantine Richter, and J.G. Keulemans. His son, Pierre-Jacques Smit was also a skilled watercolorist.
ORIGINAL WATERCOLORS PREPARED FOR HENRY KNIPE’S
NEBULA TO MAN (1905) & EVOLUTION IN THE PAST (1911-1912)
An exceedingly rare collection of original watercolors prepared for Henry Knipe’s Nebula to Man (1905) and Evolution in the Past (1911-1912) by naturalist-artists Alice Woodward, Josef Smit, and Charles Whymper.
Drawings prepared for Knipe’s Nebula to Man (1905) contributed to one of the most important publications on dinosaurs on the heels of the Great Dinosaur Rush or Bone Wars. The Bone Wars occurred between 1877 and 1892 between Edward Drinker Cope, the Academy of Natural Sciences Philadelphia, and Othniel Charles Marsh, the Peabody Museum of Natural History at Yale. These early paleontologists fought ruthlessly to pursue dinosaur fossils, a quest that resulted in an extraordinary period of discovery and the eventual financial ruin of both scientists. Their findings resulted in unearthing 136 new dinosaur species, ushering in a new paleontological research era.
According to Henry Knipe’s obituary, he worked for the British Museum. It was there that he likely met the artists tapped for this project. Knipe chose each illustrator for their reputation for scientific authenticity—namely, those skilled as bird artists, given the many similarities between bird species and dinosaurs.
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