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Baldassare Cattrani (Italian, FL. 1776-1810), “Aloe Picta major var w” (Aloe Maculata. Soap Aloe or Zebra Aloe)

Baldassare Cattrani (Italian, FL. 1776-1810), “Aloe Picta major var w” (Aloe Maculata. Soap Aloe or Zebra Aloe)

  • $ 24,000.00

Baldassare Cattrani (Italian, FL. 1776-1810)
“Aloe Picta major var w” (Aloe Maculata. Soap Aloe or Zebra Aloe)
Watercolor on vellum, with border, double-ruled in black ink
c. 1809
Sheet size: 19 1/2 x 12 in.
Frame size: 27 1/4 x 20 1/4 in.

The soap aloe name comes from the fact that the sap from its thick, fleshy leaves can be used as a soap substitute. 

This plant can be found naturally in a wide range of habitats across Southern Africa, from Zimbabwe in the north to the Cape Peninsula in the south. Specifically, it is native to southern and eastern South Africa, southeastern Botswana, and Zimbabwe. In addition, it is now planted around the world as a popular ornamental landscape plant in warm desert regions – especially in Arizona and California.

 Baldassare Cattrani (Italian, FL. 1776-1810)

Nearly unparalleled in terms of depth and quality, Baldassare Cattrani’s watercolors are masterpieces of the highest order. An opportunity to acquire works by this gifted and as yet shockingly underrated Italian artist should not be overlooked.

Cattrani was Roman by birth and a contemporary of Pierre-Joseph Redouté. Not only did he gain permission to study and paint in Padua’s legendary botanical garden from esteemed directors Giovanni Marsili and Giuseppe Antonio Bonato, but he also won highly prized commissions from Empress Joséphine.

The apex of Cattrani’s magnificent oeuvre are the works painted for Empress Josephine around 1806 when she was greatly expanding the gardens at her estate Malmaison. Scholar Lucia Tongiorgi Tomasi found that Cattrani and other invited artists painted Josephine's magnificent collection of flowers. Pierre-Joseph Redoute was there in 1806, too, preparing his voluminous work Les Liliacees (1802-16).
At the death of the Empress, the Cattrani and Redouté albums were inherited by her son, Prince Eugène de Beauharnais, later Duke of Leuchtenberg (1781-1824). They remained with his descendants until 1935. The Beauharnais collection of books and manuscripts sold at the Braus-Riggenbach and Ulrico Hoepli sale in Zurich, on May 23, 1935. Lot 17 was described as:

“Cattrani, Baldassare. Collection Botannique (Collection of Botany.) Collection of 1640 original watercolors, painted on vellum and representing flowers and plants. Size of leaves: 53.5 x 38 cm. 24 volumes. Painted in 1806. In folios… Magnificent work of botany. Each leaf is framed by a double black net and bears the name of the plant below, in some volumes this has been omitted. The first volume contains several watercolors painted on paper and in general those of this volume have a little suffice by the humidity. The watercolors are executed with great taste and care and the artist was able to fix with his brush the brilliance of the colors and the nuances that we admire in flowers. As the liliacees of Redoute, this work also was painted in Malmaison on the orders of the Empress Josephine.” [Translated]

Redoute’s original liliacees watercolors also appeared in this sale as lot 82.

Based on the dimensions and description in the 1935 catalog and stylistic relationships between known works, it can be deduced that the collection of paintings offered here come from the same vital group of manuscripts commissioned by Josephine and subsequently owned by Beauharnais. Other works from this superb collection can be found at Oak Spring Library, Dumbarton Oaks, and the library of the botanic garden at Padua.

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