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Lemaire\u003c\/p\u003e\n\u003cp\u003eParis: Pauquet and Debure, 1835-6\u003c\/p\u003e\n\u003cp\u003eOriginal watercolor on paper\u003c\/p\u003e\n\u003cp\u003eSheet size: approx. 12 1\/4 x 9 1\/4\"\u003c\/p\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21693728449,"sku":"","price":4800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Pl_17.jpg?v=1467997251"},{"product_id":"hippolyte-and-polydore-pauquet-pl-26","title":"Hippolyte and Polydore Pauquet, Pl 26","description":"\u003cp\u003eHippolyte and Polydore Pauquet\u003c\/p\u003e\n\u003cp\u003ePl 26\u003c\/p\u003e\n\u003cp\u003eFrom  L'Histoire naturelle des oiseaux exotiques by C.L. 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The American Heritage Century Collection of Civil War Art\u003c\/p\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":23069316353,"sku":"","price":9800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Battle_of_Grounds_of_Milsons_Creek.jpg?v=1470669707"},{"product_id":"isaac-walton-taber-1857-1933-camp-of-the-153rd-new-york-infantry","title":"Isaac Walton Taber (1857-1933), Camp of the 153rd New York Infantry","description":"\u003cp\u003eCamp of the 153rd New York Infantry. After wartime photograph by Alexander Gardner\u003c\/p\u003e\n\u003cp\u003eBy Isaac Walton Taber (1857-1933), Title inscribed in pencil, in the upper left hand corner above the image.\u003c\/p\u003e\n\u003cp\u003ePen and ink on paper\u003c\/p\u003e\n\u003cp\u003eSheet Size: 10 1\/4 x 13”\u003c\/p\u003e\n\u003cp\u003eReference p 381, #380, Sears, Stephen. 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The American Heritage Century Collection of Civil War Art \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":23070789633,"sku":"","price":14000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Federal_Wounded_on_the_Grounds_of_Marye_House_Fredericksburg_VA._After_a_photograph_by_Matthew_Brady_or_assistant_May_1864.jpeg?v=1470671233"},{"product_id":"john-douglas-woodward-1846-1924-fredericksburg-virginia","title":"John Douglas Woodward (1846-1924), Fredericksburg, Virginia","description":"\u003cp\u003eFredericksburg, Virginia. After a wartime photograph by Matthew B. 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The American Heritage Century Collection of Civil War Art\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":23071937025,"sku":"","price":9800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/The_Andrew_s_Raid_Beginning_of_the_Pursuit.jpg?v=1470672417"},{"product_id":"edwin-j-meeker-1853-1929-the-farmhouse-camp-dick-robinson-kentucky-federal-camp","title":"Edwin J. Meeker (1853-1929), The Farmhouse, Camp Dick Robinson, Kentucky, Federal Camp","description":"\u003cp\u003eThe Farmhouse, Camp Dick Robinson, Kentucky, Federal Camp. After an unattributed wartime sketch\u003c\/p\u003e\n\u003cp\u003eBy Edwin J. Meeker (1853-1929), Title inscribed in pen, in the bottom left hand corner\u003c\/p\u003e\n\u003cp\u003ePen and ink on paper\u003c\/p\u003e\n\u003cp\u003eSheet Size: 10 5\/8 x 11 5\/8”\u003c\/p\u003e\n\u003cp\u003eReference p368, #201, Sears, Stephen. 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Meeker (1853-1929), Title inscribed in pencil, in the bottom left hand corner, signed lower right hand corner in pen.\u003c\/p\u003e\n\u003cp\u003ePen and ink on paper\u003c\/p\u003e\n\u003cp\u003eSheet Size: 12 1\/4 x 17 1\/4”\u003c\/p\u003e\n\u003cp\u003eReference p366, #174, Sears, Stephen. The American Heritage Century Collection of Civil War Art\u003c\/p\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":23072242241,"sku":"","price":9800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/The_Logan_Crossroads_Battlefield_Logan_s_Crossroad_KY._After_a_photograph_1887.jpeg?v=1470672745"},{"product_id":"isaac-walton-taber-1857-1933-umbrella-rock-lookout-mountain-chattanooga-tennessee","title":"Isaac Walton Taber (1857-1933), Umbrella Rock, Lookout Mountain, Chattanooga, Tennessee","description":"\u003cp\u003eUmbrella Rock, Lookout Mountain, Chattanooga, Tennessee. After a wartime photograph\u003c\/p\u003e\n\u003cp\u003eBy Isaac Walton Taber (1857-1933), Title inscribed in pencil, in the upper right hand corner\u003c\/p\u003e\n\u003cp\u003ePen and ink on paper\u003c\/p\u003e\n\u003cp\u003eSheet Size: 12 x 8 1\/2”\u003c\/p\u003e\n\u003cp\u003eReference p388, #497, Sears, Stephen. The American Heritage Century Collection of Civil War Art\u003c\/p\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":23072327937,"sku":"","price":9500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Umbrella_Rock_Lookout_Mountain_Chattanooga_Tennessee.jpg?v=1470672842"},{"product_id":"nicolino-calyo-1799-1884-philadelphia-from-camden","title":"Nicolino Calyo (1799-1884), Philadelphia from Camden","description":"\u003cdiv\u003eNicolino Calyo (1799-1884)\u003c\/div\u003e\n\u003cdiv\u003ePhiladelphia from Camden\u003c\/div\u003e\n\u003cdiv\u003eGouache on paper\u003c\/div\u003e\n\u003cdiv\u003ePaper size: 6 3\/8 x 8 7\/8 inches\u003c\/div\u003e\n\u003cdiv\u003eInscribed at bottom center: ‘Philadelphia, from Camden’\u003c\/div\u003e\n\u003cdiv\u003eCa. 1838\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e       \u003c\/div\u003e\n\u003cdiv\u003eThis charming watercolor view of Philadelphia taken from Camden is one of a series of cabinet-sized gouaches from Calyo’s hand that explore, with gem-like clarity, the same artistic and iconographic concerns that characterize his larger views. In the present watercolor Calyo assumes his preferred observation point, the far shore of a body of water offering the prospect of a cityscape that avowed the subject of the composition. The foreground provides an opportunity for the artist to create a narrative scene. Here’s the viewer is poised on the New Jersey side of the Delaware River, at the Camden terminus of the Camden-Philadelphia ferry. The steam ferry is about to dock, with a worker making preparations on the shore, and trio of greeters waving to passengers on the boat deck. It is a clear, calm day with the shadows indicating perhaps late afternoon.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e     \u003c\/div\u003e\n\u003cdiv\u003eSmith’s island, an alluvial bar covered with willow trees, is visible mid-river with a cleared swath across the width of the island, dating this piece to around 1838. In this year, a large section of trees were cut on the island in preparation for a channel for the Philadelphia-Camden ferry that would divide the land in two, eventually becoming Smith’s Island to the north and Windmill Island on the south. A miniature panorama of the Philadelphia skyline stretches peacefully along the Pennsylvania shoreline. The waterfront is lined with a bevy of small boats, docked in pursuit of commercial transactions. Three of the numerous towers and steeples are readily identifiable: at the far right the white spire of the Christ Church pierces the horizon, third from right toward the center of the picture is Independence Hall, and on the far left is Sparks Shot tower. \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e     \u003c\/div\u003e\n\u003cdiv\u003eCalyo’s career reflects a restless spirit of enterprise and adventure.  Descended from the line of the Viscontes di Calyo of Calabria, the artist was the son of a Neapolitan army officer.  He received his formal training in art at the Naples Academy, and his career took shape amidst the political turbulence of early-19th century Italy, Spain, and France.  He fled Naples after choosing the loosing side of struggles of 1820-21, and by 1829 was part of an Italian exile community in Malta.  This was the keynote of a peripatetic life that saw the artist travel through Europe, to America, within America, perhaps to Europe again, and back to America.  \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eCalyo’s forte was close observation of people and places, meticulously rendered in the precise topographical tradition of his fellow countrymen, Canaletto and Francesco Guardi.  In search of artistic opportunity, Calyo left Malta and, by 1834, was on the opposite side of the Atlantic Ocean in Baltimore, Maryland.  He rapidly drew attention for his artistically rendered visual images of familiar locales, executed with a degree of polish and skill that was second nature for artists trained in the European academic tradition.  Calyo arrived and settled in New York in 1835, inspired by the sights of the flourishing metropolis. \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":23132111361,"sku":"","price":25000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Philadelphia_from_Camden.jpg?v=1470763458"},{"product_id":"john-macwhirter-r-a-1837-1911-salt-lake-city","title":"John MacWhirter R.A. (1837-1911), Salt Lake City","description":"John MacWhirter R.A. (1837-1911) \u003cbr\u003eSalt Lake City \u003cbr\u003ec. 1878 \u003cbr\u003eWatercolor, pencil, and gouache on paper \u003cbr\u003eSheet size: 6 3\/4 x 10 3\/8 inches \u003cbr\u003eFramed size: 14 x 17 3\/4 inches\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn 1877 Scottish artist John MacWhirter traveled to America and visited Salt Lake City on his way to San Francisco. When he returned to his homeland Scotland in 1878, he exhibited a painting called Salt Lake City Utah at the Scottish Academy in the annual exhibition of that same year.\u003c\/p\u003e\n\u003cp\u003eJohn was one of four children. After attending school in Colinton,, he apprenticed at Oliver \u0026amp; Boyd, booksellers in Edinburgh, Scotland. Later he enrolled at the Trustees Academy and spent long periods sketching and studying nature. His first painting to be exhibited at the Royal Scottish Academy at age 14, was 'Old Cottage at Braid'. In 1880, he was made an Honorary Member of the Royal Scottish Academy. Travelling, exploring and painting abroad took him to Italy, Sicily, Switzerland, Austria, Turkey, Norway and the United States.\u003c\/p\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":23132311489,"sku":"","price":45000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/MacWhiter_Salt_Lake_City.jpg?v=1470763720"},{"product_id":"nicolino-vicompte-calyo-1799-1884-cincinnati-on-the-ohio-river","title":"Nicolino Vicompte Calyo (1799-1884), Cincinnati on the Ohio River","description":"\u003cdiv\u003eNicolino Vicompte Calyo (1799-1884)\u003c\/div\u003e\n\u003cdiv\u003eCincinnati on the Ohio River \u003c\/div\u003e\n\u003cdiv\u003eWatercolor and gouache on paper\u003c\/div\u003e\n\u003cdiv\u003eImage size: 5 x 7 5\/8 in.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eFramed size: 8 1\/2 x 10 7\/8 in.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eInscribed l.c.: ‘Cincinnati on the Ohio River’\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eCalyo’s career reflects a restless spirit of enterprise and adventure.  Descended from the line of the Viscontes di Calyo of Calabria, the artist was the son of a Neapolitan army officer.  Calyo received his formal training in art at the Naples Academy, and his career took shape amidst the political turbulence of early-19th century Italy, Spain, and France.  He fled Naples after choosing the loosing side of struggles of 1820-21, and by 1829 was part of an Italian exile community in Malta.  This was the keynote of a peripatetic life that saw the artist travel through Europe, to America, within America, perhaps to Europe again, and back to America.  Calyo’s forte was close observation of people and places, meticulously rendered in the precise topographical tradition of his fellow countrymen, Canaletto and Francesco Guardi.  \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e \u003c\/span\u003eIn search of artistic opportunity, Calyo left Malta and, by 1834, was on the opposite side of the Atlantic Ocean in Baltimore, Maryland.  He rapidly drew attention for his artistically rendered visual images of familiar locales, executed with a degree of polish and skill that was second nature for artists trained in the European academic tradition. It was there that he held his first exhibitions of his large-scale European views. After a year in Baltimore, Calyo, drawn by the sights of the flourishing metropolis, arrived and settled in New York in 1835. Calyo created some of his most recognizable work after moving to New York, such as his dramatic watercolor views of the New York fire (which occurred on December 16-17, 1835), a pair of which were engraved as prints by William Bennett in 1836. He drew inspiration from the bustling city, creating striking renderings of urban workers, vendors, and other street figures in the manner of Jacques Callot; a group of these were published in 1840 as the Cries of New York.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e \u003c\/span\u003eCalyo’s vivid landscape paintings are perhaps his greatest legacy. As an experienced traveler and artist, he made many of his watercolor and gouache sketches on location; some of which became sources for larger scale landscapes on paper. Calyo continued to be active in scenic painting through the 1850s. \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":23132507841,"sku":"","price":18000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Cincinatti_on_the_Ohio_River.jpg?v=1470763851"},{"product_id":"tingua-and-his-studio-macao-from-the-north","title":"Tingua and His Studio, Macao from the North","description":"\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003eTingua and His Studio \u003c\/span\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003eMacao from the North\u003c\/span\u003e\u003c\/span\u003e \u003cbr\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003eChinese, \u003c\/span\u003e\u003cspan\u003ec. 1845-1855 \u003c\/span\u003e\u003c\/span\u003e \u003cbr\u003eGouache on pith paper  \u003cbr\u003eFramed size: 17 1\/4\" x 12 1\/2\" \n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003eThe studio of the artist Tingqua was perhaps the most prolific source of Chinese export painting during the nineteenth century. Located at 16 China Street, Guangzhou, the school specialized in gouache and watercolor paintings influenced by Western artistic traditions. These works became known in America primarily through the American China trader Augustine Heard, who brought a substantial collection of Tingqua paintings back to the United States in ca. 1855. These are now located at the Peabody Museum in Salem, Massachusetts. Tingqua was from a family of Chinese artists, each of whom were recognized for there skills in painting scenes suitable for the export market. His father, Guan Zuolin, often known by his western name, Spoilum, was the first identifiable artist of the Cantonese export school. These exquisite little views absolutely typify Tingqua's style and technique. All four works display the Tingqua denotation of the sea by regular parallel lines, sometimes with ripples in the foreground. Moreover, his characteristic mannerism of representing trees as thick clusters of yellow-green leaves is amply demonstrated in his paintings of the Canton Waterfront with the U.S. Steamer \"Spark\" and Whampoa Anchorage with American, British and Danish Shipping. These watercolors also illustrate the diversity of countries trading in China, particularly in the former work, with the flags of the American, British, French and Danish nations displayed prominently along the skyline. Above all, Tingqua's work is perhaps most recognized for its exquisite characterization of daily life and for its exceptional detail. The precision of the brushwork and concentration upon light effects is superb, and in each scene the importance of world trade with China is beautifully displayed.\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":23132740161,"sku":"","price":10000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Tingqua_-_Macao_From_the_North.jpg?v=1470764201"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/collections\/Henstenburgh-A_Peacock_a_Parrot.jpg?v=1468424888","url":"https:\/\/aradergalleries.com\/collections\/watercolors\/artist_alfred-jacob-miller.oembed","provider":"Arader Galleries","version":"1.0","type":"link"}