{"title":"Prints","description":"","products":[{"product_id":"george-brookshaw-1751-1823-black-antigua-pl-lv","title":"George Brookshaw (1751-1823), Black Antigua Pineapple, Pl LV","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003eBlack Antigua Pineapple, Pl LV\u003c\/div\u003e\n\u003cdiv\u003efrom \u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21603172609,"sku":"","price":7000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Black_Antigua_Pl_LV.jpg?v=1467839379"},{"product_id":"george-brookshaw-1751-1823-bleeding-heart-ox-heart-maple-heart-cherries-pl-ix","title":"George Brookshaw (1751-1823), Bleeding Heart, Ox Heart, \u0026 Maple Heart Cherries, Pl IX","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003eBleeding Heart, Ox Heart, \u0026amp; Maple Heart Cherries, Pl IX\u003c\/div\u003e\n\u003cdiv\u003efrom \u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21603359809,"sku":"","price":4200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Bleeding_heart_Ox_heart_Maple_heart_Cherries_Pl_IX_6bc13818-80fe-4056-abdf-568cd681609c.jpg?v=1467839472"},{"product_id":"george-brookshaw-1751-1823-cherries-pl-vii","title":"George Brookshaw (1751-1823), Cherries, Pl VII","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003eCherries, Pl VII\u003c\/div\u003e\n\u003cdiv\u003efrom \u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21603560001,"sku":"","price":3500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Cherries_Pl_VII_05d323b7-259e-4618-b8dc-3e9bccea3c97.jpg?v=1467839495"},{"product_id":"george-brookshaw-1751-1823-grizzly-frontinac-pl-lv","title":"George Brookshaw (1751-1823), Grizzly Frontinac, Pl LV","description":"\u003cp\u003eGeorge Brookshaw (1751-1823)\u003c\/p\u003e\n\u003cp\u003eGrizzly Frontinac, Pl LV\u003c\/p\u003e\n\u003cp\u003efrom \u003cem\u003ePomona Britannicaa\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eLondon, 1804-1812\u003c\/p\u003e\n\u003cp\u003eEngravings with original hand-coloring\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21604183553,"sku":"","price":1900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Grizzly_Frontinac_Pl_LV.jpg?v=1467840484"},{"product_id":"george-brookshaw-1751-1823-nectarines-pl-xxxiv","title":"George Brookshaw (1751-1823), Nectarines, Pl XXXIV","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003eNectarines, Pl XXXIV\u003c\/div\u003e\n\u003cdiv\u003efrom \u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21604203585,"sku":"","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Nectarines_Pl_XXXIV.jpg?v=1467840613"},{"product_id":"george-brookshaw-1751-1823-peaches-pl-xxix","title":"George Brookshaw (1751-1823), Peaches, Pl XXIX","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003ePeaches, Pl XXIX\u003c\/div\u003e\n\u003cdiv\u003efrom \u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21604223041,"sku":"","price":2100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Peaches_Pl_XXIX.jpg?v=1467840683"},{"product_id":"george-brookshaw-1751-1823-peaches-pl-xxviii","title":"George Brookshaw (1751-1823), Peaches, Pl XXVIII","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003ePeaches, Pl XXVIII\u003c\/div\u003e\n\u003cdiv\u003efrom \u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21604289857,"sku":"","price":2200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Peaches_Pl_XXVIII.jpg?v=1467840816"},{"product_id":"george-brookshaw-1751-1823-peaches-pl-xxx","title":"George Brookshaw (1751-1823), Peaches, Pl XXX","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"line-height: 1.5;\"\u003ePeaches, Pl XXX\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003efrom \u003c\/span\u003e\u003cem style=\"line-height: 1.5;\"\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21604338113,"sku":"","price":2200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Peaches_Pl_XXX.jpg?v=1467840886"},{"product_id":"george-brookshaw-1751-1823-peaches-pl-xxxv","title":"George Brookshaw (1751-1823), Peaches, Pl XXXV","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003ePeaches, Pl XXXV\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003efrom \u003c\/span\u003e\u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21604351937,"sku":"","price":2400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Peaches_Pl_XXXV.jpg?v=1467840968"},{"product_id":"george-brookshaw-1751-1823-pear-pl-lxxvii","title":"George Brookshaw (1751-1823), Pear, Pl LXXVII","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003ePear, Pl LXXVII\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003efrom \u003c\/span\u003e\u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21604528065,"sku":"","price":3500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Pear_Pl_LXXVII.jpg?v=1467841322"},{"product_id":"george-brookshaw-1751-1823-pear-pl-lxxxv","title":"George Brookshaw (1751-1823), Pear, Pl LXXXV","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003ePear, Pl LXXXV\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003efrom \u003c\/span\u003e\u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21604587393,"sku":"","price":3200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Pear_Pl_LXXXV.jpg?v=1467841402"},{"product_id":"george-brookshaw-1751-1823-pears-pl-lxxvi","title":"George Brookshaw (1751-1823) Pears, Pl LXXVI","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003ePears, Pl LXXVI\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003efrom \u003c\/span\u003e\u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\n\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21604643009,"sku":"","price":3250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Pears_Pl_LXXVI.jpg?v=1467841462"},{"product_id":"george-brookshaw-1751-1823-pl-lxxiii","title":"George Brookshaw (1751-1823), Pl LXXIII","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003ePl LXXIII\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003efrom \u003c\/span\u003e\u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21631526721,"sku":"","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Pl_LXXIII.jpg?v=1467901966"},{"product_id":"george-brookshaw-1751-1823-pl-lxxv","title":"George Brookshaw (1751-1823), Pl LXXV","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003ePl LXXV\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003efrom \u003c\/span\u003e\u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21631635585,"sku":"","price":2750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Pl_LXXV.jpg?v=1467902193"},{"product_id":"george-brookshaw-1751-1823-pl-x","title":"George Brookshaw (1751-1823), Pl X","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003ePl X\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003efrom \u003c\/span\u003e\u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21631671681,"sku":"","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Pl_X.jpg?v=1467902251"},{"product_id":"george-brookshaw-1751-1823-pl-xc","title":"George Brookshaw (1751-1823), Pl XC","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003ePl XC\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003efrom \u003c\/span\u003e\u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21632314817,"sku":"","price":5000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Pl_XC.jpg?v=1467903079"},{"product_id":"george-brookshaw-1751-1823-pl-xcii","title":"George Brookshaw (1751-1823), Pl XCII","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003ePl XCII\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003efrom \u003c\/span\u003e\u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21632769409,"sku":"","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Pl_XCII.jpg?v=1467903650"},{"product_id":"george-brookshaw-1751-1823-pl-xiv","title":"George Brookshaw (1751-1823), Pl XIV","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003ePl XIV\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003efrom \u003c\/span\u003e\u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21632822337,"sku":"","price":3000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Pl_XIV.jpg?v=1467903740"},{"product_id":"george-brookshaw-1751-1823-pl-xxii","title":"George Brookshaw (1751-1823), Pl XXII","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003ePl XXII\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003efrom \u003c\/span\u003e\u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21633567617,"sku":"","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Pl_XXII.jpg?v=1467904647"},{"product_id":"george-brookshaw-1751-1823-pl-xxix","title":"George Brookshaw (1751-1823), Pl XXIX","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003ePl XXIX\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003efrom \u003c\/span\u003e\u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21633708993,"sku":"","price":2900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Pl_XXIX.jpg?v=1467904885"},{"product_id":"george-brookshaw-1751-1823-pl-xxv","title":"George Brookshaw (1751-1823), Pl XXV","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003ePl XXV\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003efrom \u003c\/span\u003e\u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21633730561,"sku":"","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Pl_XXV.jpg?v=1467904945"},{"product_id":"george-brookshaw-1751-1823-plums-pl-xvi","title":"George Brookshaw (1751-1823), Plums, Pl XVI","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003ePlums, Pl XVI\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003efrom \u003c\/span\u003e\u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\n\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21633862529,"sku":"","price":2800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Plums_Pl_XVI.jpg?v=1467905202"},{"product_id":"george-brookshaw-1751-1823-raisin-de-clames-pl-xlvii","title":"George Brookshaw (1751-1823,  Raisin de Clames, Pl XLVII","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003eRaisin de Clames, Pl XLVII\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003efrom \u003c\/span\u003e\u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21633905985,"sku":"","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Raisin_de_Clames_Pl_XLVII.jpg?v=1467905276"},{"product_id":"george-brookshaw-1751-1823-red-frontiniac-pl-lvi","title":"George Brookshaw (1751-1823) Red Frontiniac, Pl LVI","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003eRed Frontiniac, Pl LVI\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003efrom \u003c\/span\u003e\u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21633939521,"sku":"","price":2900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Red_Frontiniac_Pl_LVI.jpg?v=1467905341"},{"product_id":"george-brookshaw-1751-1823-strawberries","title":"George Brookshaw (1751-1823), Strawberries","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003eStrawberries\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003efrom \u003c\/span\u003e\u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21634055361,"sku":"","price":2200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Strawberries.jpg?v=1467905508"},{"product_id":"george-brookshaw-1751-1823-white-masculine-red-masculine-orange-apricot-turkish-apricot-pl-xix","title":"George Brookshaw (1751-1823), White Masculine, Red Masculine, Orange Apricot, Turkish Apricot, Pl XIX","description":"\u003cdiv\u003eGeorge \u003cspan class=\"il\"\u003eBrookshaw\u003c\/span\u003e (1751-1823)\u003c\/div\u003e\n\u003cdiv\u003eWhite Masculine, Red Masculine, Orange Apricot, Turkish Apricot, Pl XIX\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003efrom \u003c\/span\u003e\u003cem\u003ePomona Britannicaa\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLondon, 1804-1812\u003c\/div\u003e\n\u003cdiv\u003eEngravings with original hand-coloring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSheet size: approx. 22 3\/4 x 18 1\/4\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Brookshaw's splendid \"Pomona Brittanica\" is a masterpiece among 19th-century British flower books. The publication of the \"Pomona\" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual \"A New Treatise on Flower Painting\", 1797. \u003cbr\u003e\u003cbr\u003eCharacterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the \"Pomona\" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton's \"Temple of Flora,\" Brookshaw's 'Pomona' is considered to be the finest British botanical work from a time when England dominated the field with a very large number of great books. Brookshaw's fine illustrations make excellent use of the rich, modulated tones that the aquatint process creates. The elegantly arranged and richly colored fruits emerge from deep brown backgrounds or float on a softly mottled light ground, creating a presence unlike that of any other botanical illustrations. Brookshaw asserts in the preface that the \"Pomona Britannica\" was an enduring work created for the enjoyment and edification of \"succeeding generations.\" \u003c\/span\u003e\u003c\/div\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21634096513,"sku":"","price":3500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/White_Masculine_Red_Masculine_Orange_Apricot_Turkish_Apricot_Pl_XIX.jpg?v=1467905567"},{"product_id":"john-gould-1804-1881-callipharus-nigriventris","title":"John Gould (1804-1881), Callipharus Nigriventris","description":"\u003cp\u003eJohn Gould (1804-1881)\u003c\/p\u003e\n\u003cp\u003eCallipharus Nigriventris\u003c\/p\u003e\n\u003cp\u003eFrom \u003cem\u003eA Monograph of the Trochilidae, or Family of Hummingbirds\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePublished: London, 1849-61 (supplement printed 1880-87)\u003c\/p\u003e\n\u003cp\u003eHand-colored lithographs\u003c\/p\u003e\n\u003cp\u003ePaper size approx: 21 ½ x 14 ½”\u003c\/p\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21690418881,"sku":"","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Callipharus_Nigriventris.jpg?v=1467989818"},{"product_id":"john-gould-1804-1881-chlorostilbon-osberti","title":"John Gould (1804-1881), Chlorostilbon Osberti (Osbert's Emerald)","description":"\u003cp\u003eJohn Gould (1804-1881)\u003c\/p\u003e\n\u003cp\u003eChlorostilbon Osberti (Osbert's Emerald)\u003c\/p\u003e\n\u003cp\u003eFrom A Monograph of the Trochilidae, or Family of Hummingbirds\u003c\/p\u003e\n\u003cp\u003ePublished: London, 1849-61 (supplement printed 1880-87)\u003c\/p\u003e\n\u003cp\u003eHand-colored lithographs\u003c\/p\u003e\n\u003cp\u003ePaper size approx: 21 ½ x 14 ½”\u003c\/p\u003e","brand":"Arader Galleries","offers":[{"title":"Default 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lithographs\u003c\/p\u003e\n\u003cp\u003ePaper size approx: 21 ½ x 14 ½”\u003c\/p\u003e","brand":"Arader Galleries","offers":[{"title":"Default Title","offer_id":21690663489,"sku":"","price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1208\/8894\/products\/Eugenes_Fulgens.jpg?v=1467990592"},{"product_id":"john-gould-1804-1881-eugenes-spectabilis","title":"John Gould (1804-1881), Eugenes Spectabilis (Talamanca Hummingbird)","description":"\u003cp\u003eJohn Gould (1804-1881)\u003c\/p\u003e\n\u003cp\u003eEugenes Spectabilis (Talamanca Hummingbird)\u003c\/p\u003e\n\u003cp\u003eFrom \u003cem\u003eA Monograph of the Trochilidae, or Family of Hummingbirds\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePublished: London, 1849-61 (supplement printed 1880-87)\u003c\/p\u003e\n\u003cp\u003eHand-colored lithographs\u003c\/p\u003e\n\u003cp\u003ePaper size approx: 21 ½ x 14 ½”\u003c\/p\u003e","brand":"Arader Galleries","offers":[{"title":"Default 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